Hunar_va_mardum_191-192_dawr-i_jadid_1978

(Hunar va Mardom) (0 - 0)

(Cover image description) (0 - 0)

(Table of Contents of this issue) (1 - 1)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (2 - 2)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (2 - 2)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (3 - 3)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (4 - 4)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (5 - 5)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (6 - 6)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (7 - 7)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (8 - 8)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (9 - 9)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (10 - 10)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (10 - 10)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (11 - 11)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (12 - 12)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (13 - 13)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (14 - 14)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (15 - 15)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (16 - 16)

(Before we regret this, let's save the historical context of Yazd, the throne of the desert) (17 - 17)

(Manshur Kalantar by Khaja Nasir Muzahhab) (18 - 18)

(Astrolabe or astronomical counter) (20 - 20)

(Astrolabe or astronomical counter) (21 - 21)

(Astrolabe or astronomical counter) (22 - 22)

(Astrolabe or astronomical counter) (22 - 22)

(Astrolabe or astronomical counter) (23 - 23)

(Astrolabe or astronomical counter) (24 - 24)

(Astrolabe or astronomical counter) (25 - 25)

(Astrolabe or astronomical counter) (25 - 25)

(Astrolabe or astronomical counter) (26 - 26)

(Astrolabe or astronomical counter) (30 - 30)

(Astrolabe or astronomical counter) (33 - 33)

(Astrolabe or astronomical counter) (35 - 35)

(Astrolabe or astronomical counter) (36 - 36)

(Astrolabe or astronomical counter) (36 - 36)

(History of dance in Iran) (38 - 38)

(Seal and seal design) (42 - 42)

(Seal and seal design) (45 - 45)

(Seal and seal design) (46 - 46)

(Seal and seal design) (49 - 49)

(Seal and seal design) (50 - 50)

(Seal and seal design) (52 - 52)

(Seal and seal design) (53 - 53)

(Seal and seal design) (54 - 54)

(Seal and seal design) (56 - 56)

(Seal and seal design) (60 - 60)

(Seal and seal design) (61 - 61)

(Seal and seal design) (64 - 64)

(Introduction to Shabankarigan: Introduction and Analysis of "Daftar-i Dilgusha") (72 - 72)

(Introduction to Shabankarigan: Introduction and Analysis of "Daftar-i Dilgusha") (73 - 73)

(Introduction to Shabankarigan: Introduction and Analysis of "Daftar-i Dilgusha") (74 - 74)

(Introduction to Shabankarigan: Introduction and Analysis of "Daftar-i Dilgusha") (76 - 76)

(Introduction to Shabankarigan: Introduction and Analysis of "Daftar-i Dilgusha") (77 - 77)

(Introduction to Shabankarigan: Introduction and Analysis of "Daftar-i Dilgusha") (78 - 78)

(Introduction to Shabankarigan: Introduction and Analysis of "Daftar-i Dilgusha") (79 - 79)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (81 - 81)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (82 - 82)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (82 - 82)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (83 - 83)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (83 - 83)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (84 - 84)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (86 - 86)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (87 - 87)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (88 - 88)

(White Simurgh: Cultural continuity of Iran is examined by examining Ferdowsi's Shahnameh and its illustrations in the last thousand years) (89 - 89)

(An analysis of the Masnavi "Qaza va Qadar") (90 - 90)

(We and the readers) (98 - 98)

(A word to our dear readers) (100 - 100)

(Moon (poem) (calligraphy)) (101 - 101)